Showing posts with label stage. Show all posts
Showing posts with label stage. Show all posts

Because You're On Stage!

There's nothing more annoying than watching a band on stage performing that has zero stage presence. It's even worse when the music is really good. You could shut your eyes and enjoy the music, but that's not why you paid the cover charge. If you only wanted to listen, you could just stay home and listen to the CD. There's a reason the band is playing on a stage instead of behind a curtain.

People want to see a show. Not just a bunch of dirty looking hippies jamming their hearts out. Sure, it's fun to jam, but until you're famous, most people don't want to pay just to watch you noodling with your pals. If you want to do that, then do it at home or in the rehearsal space. Don't do it on stage, unless that is your genre. If you went to Prince's 2004 tour you saw a top professional putting on a terrific show. Even if you didn't care about his music, you were entertained. That's the job of any act on any stage: Entertain the audience.

So, how does a new band do this? Some people have a natural charisma. If your act has a front person like that, you're in luck. The rest of you will just have to learn, and sometimes, even if you're the guy with charisma, you'll just have to fake it.

First off, remember that you are there to entertain. It doesn't matter what genre you're playing, country, jazz, rock, hip hop, whatever. The goal is still to entertain, to put on a show. There aren't really any rules, as long as the audience walks away feeling like they had a good time. Here's a few tips that anyone can handle:

  • Have fun on stage, or at least pretend to. The audience doesn't know and doesn't care if you are having a bad day. So your wife ran away with your best friend and they took your dog, car and all your money. Put on a smile and pretend that this is the most fun you've had in your entire life. If you can't do that, it may be better to cancel the gig. Believe me, the audience can tell when you are not enjoying yourself on stage. If you are pissed off and angry, they will sense it and unless, you're an in-your-face punk act, it won't go over well. The more you play, the easier this will get, so practice, a lot. The best acts in any region can and will play under all sorts of adverse conditions. The difference between you and them is that they know how to fake having a good time. It's usually well rehearsed between song comments/jokes/banter that gets the crowd participating. Their audience may never know that the lead vocalist is having the worst day of his/her life and neither should yours.
  • Dress for success. Do you wear the same clothes on stage that you wear at rehearsal? Don't. Always wear something clean and presentable. At the very least have everyone in the act wear blue jeans and the same color T-shirts. There are a few national acts that don't seem to care about how they look, but they are a very small minority. Even the 70 year old jazz cats playing in the smallest dives in the worst neighborhoods dress up when they play. Something sparkly or eye-catching that you would never be caught dead wearing on the street is perfect for the stage. If you have absolutely no fashion sense, ask a girlfriend, sister or fan. Many women will be thrilled to dress you up. If money is an issue, go to a thrift store, there's always something funky/cool there. If you notice the trends in music fashion you'll see that many new fads start out with something a hot new act bought at a second hand store. Examples: Torn up jeans, The Ragamuffin reggae look that came from Jamaican street urchins, blue jeans were not considered acceptable to wear except at blue collar jobs until Elvis and his contemporaries, started wearing them. Loose fitting pants that are way too big started out as hand me downs from older siblings. Outdated basketball jerseys were a lot cheaper than the ones current teams wear, until hip-hop artists made them became popular. You can start the next music fashion trend.
  • Move around. Unless you are stuck behind a drumset or keyboard, you need to move around on stage. This catches the audience's eye and helps keep their attention. If you are a lead vocalist who just stands ramrod straight, you had better blow everyone away, because otherwise they'll be staring at your bass player instead. If you must keep stationary, then move your head, your arms, your booty. The more the better. If your guitar player is taking a solo, step away from the mic and dance a little. It doesn't take much and nobody will make fun of you. If your act has a horn section, ask them to all point their horns in the same direction and move them side to side in unison. Just a little choreography will go a long way. Lead vocalists who look at the crowd and hop up and down in time with the music will commonly see the audience doing the same thing. You know you're on the right track if your audience is on the dance floor. It means they are having fun.
  • Play well. Know your material inside-out and upside-down. You shouldn't be looking at your hands when you play out. There are already enough distractions at a live gig. Don't require yourself to focus everything just on getting through the song without messing up. That means lots of practice and rehearsal. Lots and lots. You should be able to play your whole set with your eyes closed. This frees up some of your attention to focus on the audience, pick up on signals from your bandmates, or make your solo even better. It's tough to smile at the hot chicks flashing you their boobs if you are staring at your fretboard. Eye contact goes a very long way and will make the show a more personal experience for every member of the audience you connect with. I know that some bands in recent years have become famous with guitar players that wear their axe slung low around knee level and then hunch over, almost double the whole time they are playing. Not only does that look amateurish (to this author, at least), but it's really bad for your back, too. Most professionals prefer watching someone like B.B. King play with his guitar up high on his chest, his face pointed skyward, eyes closed as he hits exactly the right chords bringing emotion out in the song. B.B. knows his instrument well enough that he almost never needs to look at it in order to play well. With enough practice you can, too. Oh, yeah, and just because you saw your favorite band/player do something on MTV, doesn't mean you should, too. Watch what the old guys do. If they can last for decades, playing hundreds of gigs every year, they must know what they are doing and how to do it in the least painful fashion.
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Get On/Off the Stage Already!

If you are a local or regional touring act there are basically two kinds of gigs you will play: There's the play all night in the bar/restaurant kind of gig and there's the multi-band showcase, festival or opening act kind of gig. This article is about those gigs where you're at least opening for another act or perhaps playing the same show with three or more other bands.

The venue we work at and the majority of music venues that book original music in this region bring an average of four bands a night to play on any given night. Each band gets 30-45 minutes to play and there's 20-30 minutes between bands. Shows like this make it really important to be able to get on and off stage quickly and efficiently. The reasons behind this are important to keep in mind. If you take too long to get your gear on stage and ready to perform, then your band will likely get cut short. If you play over your time slot or take too long to get off stage, the band playing after you may get cut short. If you're an opening act for a national or bigger local act and they get cut short, their gonna remember that and likely take an opportunity to screw you over down the road. Now sure, your band might be better than any others out there (at least from your perspective) but causing a big show to go off schedule causes headaches for everyone from the guy taking money at the door, to the booking agent, the sound guy and even the bartenders. Yes, the crowd will complain if the band they paid big money to see doesn't get on stage at the expected time. Your band might be awesome but if the other bands all complain to the booking guy and make his life harder and he also hears bad reports from the sound engineer and the bartenders, then how eager is he gonna be to book you back? Most local music communities are fairly small and people talk to each other. If your band gets a reputation for hogging the stage at the expense of others, you're a lot less likely to be invited to play the cool gigs. Don't underestimate the politics of the music scene. They can be as brutal and vicious as a Jr. High school playground.

You were hired to start and end your set at specific times, so be professional and do your best to keep to the schedule.

Ok, now that you're clear on why you need to get on and off the stage quickly, here are some tips to help you do it:

If you're not the opening act, get as much of your gear unpacked and set up off to the side of the stage. Drummers should have all their hardware unpacked and set up, so they can just lift things up onto the stage and place them in position as quickly as possible. That means your cymbals should be out of the bag and on the stands. Guitar players should be ready to haul their amps onto the stage, position them and plug in. That means you should take your time and tune your guitar(s) before getting on stage, so that a last minute tuning check will go much quicker. Vocalists should be warmed up, in costume and ready help carry gear.

If you're not the headliner or closing act, get your gear off the stage first, then break it down. Drummers should haul the pieces off stage and then break them down and pack them up. We know you don't want to risk cracking that new Zildjian cymbal, so be careful and make sure anyone else who touches your gear does the same, but don't dismantle your cymbals and pack them up while still on stage.

Don't run off and have a smoke, piss and flirt before you start moving your gear. You're making life harder for everyone else playing after you, and half the staff as well.

Recruit a couple trustworthy (not too drunk) fans to help. Give them a free CD or put them on the guest list as a reward for helping the band.

Get someone else to sell your merch. There's plenty of time for signing autographs and schmoozing after you get your gear off the stage.



Here's a couple real-life stories:

A local jazz act with full horn section was booked to play a large street fair. The schedule was exceptionally tight with only 10 minutes between acts. That was never enough time for this jazz band who had a well known reputation for routinely taking 30-45 minutes to get onstage. This particular gig went even further south when the sound guy had trouble, causing extra delay. But the band leader didn't help by demanding a full sound check rather than the planned line check and mix on the fly approach. (A line check only checks to make sure everything is hooked up and signals are get through to the soundboard.) By the time the band actually got to play, there was only 10 minutes left in the set. The stage manager insisted on keeping to the schedule and cut the band off after only 2 songs. The huge crowd got ugly and many complaints were registered. Thankfully, there was no violence, but it did cause a very sizable commotion. The Fair organizers ended up so embarrassed by the incident that they booked the same band back the following year on a bigger stage with a longer set time, but made it crystal clear that the band had to get on stage and playing much quicker. They actually did.

A local R&B act with a little too much attitude routinely took 45-60 minutes (sometimes even more!) to get on stage. They would take their sweet time getting on stage, then take too long to finalize the sound check and then go to the green room to change into their costumes. One time, after a delay of more than an hour, the owner of the club had to go in to the green room to get them on stage. Then, of course, they insisted on playing their full set, instead of cutting it short in order to let the headliner get on stage. As a result, the sound engineers and booking guys don't want to work with them anymore and the headliner specifically requested that this band never opens for them again. Since the best sound guys don't want to work with them, either, they call in some second string, less experienced guys to work and the sound is never quite as good.

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